Unlike most historic dances of this era, the primary goal of English Country Dancing has always been to have fun. A simple walking or skipping step will get you through most of the dances. Much of the time you don’t even need to know your right foot from your left!
No matter how complicated a dance may be, you won’t have to remember it yourself. Every dance is led by a caller who will let you know what comes next.
Like many English Country Dance groups, we follow the period custom of changing partners frequently between dances. So even if you attend by yourself, you’ll have plenty of opportunities to dance throughout the evening. Many of the dances also make intricate patterns that are enjoyable to watch.
The roots of English Country Dancing date back hundreds of years, possibly as far as the 13th century. Accounts of dances similar to those performed today appear as early as the reign of King Henry VIII (1509-1547), and their popularity spread when they attracted the interest of Queen Elizabeth I in 1591.
The first instruction manual for English Country Dancing was The English Dancing Master: or Plaine and easie Rules for the Dancing of Country Dances, with the Tune to each Dance, published by John Playford in 1651. Playford probably did not write any of the dances himself; it is believed that he merely collected dances that had been popular for years. The book was so successful that it was re-published in more than 18 editions until 1727, long after Playford’s death. Additional dance manuals by other publishers began appearing from about 1718 on.
The popularity of English Country Dance reached its peak in the late 18th century, when they became commonplace among both the aristocracy and the emerging middle class. Fans of Jane Austen may recognize many of the dances as those described in her letters and novels. By the early 19th century, however, English Country was quickly replaced by radical new couple dances such as the waltz and the polka.
Interest in English Country Dancing was revived during the industrial revolution, driven largely by the efforts of music teacher and composer Cecil Sharp (1859-1924). While many English Country Dances owe their modern popularity to Cecil Sharp’s work, some dances and steps were misinterpreted or intentionally altered from their original form. New versions of some steps invented by Sharp, notably siding, are popular today in addition to the traditional forms. (A key dance sequence from the 2005 film version of Pride & Prejudice erroneously uses steps created by Sharp that would not have been danced in Jane Austen’s time.)
The revival begun by Sharp continues to this day, and has gained additional momentum in recent decades. New dances in period style have appeared, and English Country Dance groups can be found throughout England, America, and Europe.